Yes! I get it absolutely now, and specifically because of what I'm reading in Lewis's book. I've always known that a multi-sensory description will bring the reader right into the heart of the moment, but I don't think I was conscious before of the interaction of the actors with their props, their costumes, the set, and their fellow actors. I might have touched on it, but never with conscious intent.

And in the realm of kinaesthetic sensory information, I'm pretty sure I've always preferenced texture over weight and temperature. MUCH food for thought there. Great stuff!