Draft 8, 100%
28/1/17 15:47![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
darkemeraldsI finished my final draft of Restraint on Thursday and sent it out yesterday to four champion fellow writers willing to read it for structure, pacing, flow, and logic. That's a big, big job.
I expect to get suggestions back for further small changes, and of course I spotted typos the instant I hit the send button. I could undoubtedly still shave a few words for style, or add a sentence here or there to fill out a minor plot point, but the novel--this novel--is finished. Any big changes at this point would be making it into a different novel.
It's a little weird, cleaning up all the files, closing all the research tabs, shutting down the gigantic spreadsheet called "Engineering Restraint" after more than two years of rewrites. The prospect of starting a new project is daunting.
But I'm starting. I'm thinking about the new political situation, and how it's my responsibility to write for the Resistance in some way. Not a dystopian Hunger-Games-ish thing--that's not who I am as a writer--but somehow a weaving of resistance into the fabric of the historical novel I'm already researching.
I expect to get suggestions back for further small changes, and of course I spotted typos the instant I hit the send button. I could undoubtedly still shave a few words for style, or add a sentence here or there to fill out a minor plot point, but the novel--this novel--is finished. Any big changes at this point would be making it into a different novel.
It's a little weird, cleaning up all the files, closing all the research tabs, shutting down the gigantic spreadsheet called "Engineering Restraint" after more than two years of rewrites. The prospect of starting a new project is daunting.
But I'm starting. I'm thinking about the new political situation, and how it's my responsibility to write for the Resistance in some way. Not a dystopian Hunger-Games-ish thing--that's not who I am as a writer--but somehow a weaving of resistance into the fabric of the historical novel I'm already researching.
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